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 Music discussion - hardcore
 

Why The DJ is Obsolete - Blog Entry #2

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Samination
Advanced Member



Sweden
13,230 posts
Joined: Jul, 2004


195 hardcore releases
Samination has attended 17 events
Posted - 2016/03/16 :  11:50:31  Show profile  Send a private message  Visit Samination's homepage  Reply with quote
fck me, i'm famous

__________________________________
---------------------------------------------
Samination, Swedish Hardcore DJ
Happy, UK Hardcore, Freeform, Makina and Gabber
http://samination.se/
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djDMS
Advanced Member



United Kingdom
10,304 posts
Joined: Feb, 2003


572 hardcore releases
djDMS has donated money to the site djDMS has attended 43 events
Posted - 2016/03/16 :  12:49:33  Show profile  Send a private message  Visit djDMS's homepage  Reply with quote
Didn't say I agree with him, just that he has a point.

It's not pessimistic to say not all new music is fantastic, but obviously an explanation would have cleared up any confusion. I don't pay any attention to what he does anymore so can't put it into context.

It's a point worth debating, just don't want to hijack Ben's topic with it!


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Taking my time to perfect the beat


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Bring Me Round To Love
Junior Member



United Kingdom
116 posts
Joined: Mar, 2016
Posted - 2016/03/16 :  14:13:06  Show profile  Send a private message  Visit Bring Me Round To Love's homepage  Reply with quote
Gammer keeps using the name Happy Hardcore to describe that sped up edm rubbish he makes

The music in this Maoam Advert: https://www.youtube.com/watch?v=I59XOttwZLg Sums up what all gammer tracks sound like

Some of these artist such has gammer and maybe even styles would love to jump ship into that edm big room boring fart fest that has invaded our shores, yet they are too scared to let go of the wheel, trying to change the ship from within, too scared to jump because they won't be captains of the bigger ships.


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Edited by - Bring Me Round To Love on 2016/03/16 14:21:54
lurker
Average Member



United States
187 posts
Joined: Dec, 2011
Posted - 2016/03/17 :  03:35:39  Show profile  Send a private message  Visit lurker's homepage  Reply with quote
quote:
Originally posted by wong:
quote:
Originally posted by lurker:
Don't mind me, I'm just waiting for Thumpa to jump in and call you full of shit.



guessing you didnt read it ..?


Got me there. I actually read it now, it's pretty good. Think I'll stick to Arena 5 if I ever "make it" though. :P

quote:
Originally posted by djDMS:
It's a point worth debating, just don't want to hijack Ben's topic with it!


Unfortunately the poster right above me doesn't agree with you!


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ViolonC
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Germany
243 posts
Joined: Sep, 2014
ViolonC has attended 2 events
Posted - 2016/03/17 :  04:16:33  Show profile  Send a private message  Visit ViolonC's homepage  Reply with quote
quote:
Originally posted by Bring Me Round To Love:
Some of these artist such has gammer and maybe even styles would love to jump ship into that edm big room boring fart fest that has invaded our shores, yet they are too scared to let go of the wheel, trying to change the ship from within, too scared to jump because they won't be captains of the bigger ships.


I don't think they want to jump ship. If so they would have a few years ago. And then they would just be another mid tier fish in the EDM sea.

They want to be the tip of progress, evolve UK Hardcore further. They have proven themselves in the scene but i can understand that just pumping out track after track by a proven scheme may pay the bills but is pretty boring for an artist. Doing something new and crossing borders will get you flak from people that like the old style.

Hardcore would actually have died if it hadn't evolved so much over time. I'm always amazed how different tracks from different years sound, yet they are all under the same umbrella and the main rules for the genre never really changed. Some will like it, some will not. A lot will like mainly what the got introduced with. And in 3 years the next thing will influence UK Hardcore and those who liked the trap elements will hate "that new bollocks".


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https://soundcloud.com/violonc


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Thumpa
Advanced Member



United Kingdom
1,607 posts
Joined: Feb, 2009
Thumpa is verified hardcore artist Thumpa has attended 81 events
Posted - 2016/03/17 :  09:38:58  Show profile View artist profile  Send a private message  Visit Thumpa's homepage  Reply with quote
quote:
Originally posted by Vladel:
Of course thumpa is going to like something that gives him credit.



I'm not that shallow. I'm a spokesperson for this music and I'm usually bang on with my opinions as I know my stuff and I know how music works and I know how a business model works, even if I didn't DJ and was just a fan of the music I would agree with Ben's blog too. I come from a time where everyone played each other's music and most big tunes became anthems, plus I know my history.

I don't need anyone to feed my ego in a blog post, I know what I do and I know more importantly what I stand for, good varied music.



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Samination
Advanced Member



Sweden
13,230 posts
Joined: Jul, 2004


195 hardcore releases
Samination has attended 17 events
Posted - 2016/03/17 :  12:05:18  Show profile  Send a private message  Visit Samination's homepage  Reply with quote
Well, 10 years from now no one will be able to play classics anyways, because *cough* said business model only allows for 300 releases *cough*

__________________________________
---------------------------------------------
Samination, Swedish Hardcore DJ
Happy, UK Hardcore, Freeform, Makina and Gabber
http://samination.se/
---------------------------------------------




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ViolonC
Average Member



Germany
243 posts
Joined: Sep, 2014
ViolonC has attended 2 events
Posted - 2016/03/17 :  17:32:04  Show profile  Send a private message  Visit ViolonC's homepage  Reply with quote
There have been studies that the music that is played "on the radio" (a.k.a. pop music) today is less diverse than it was 20, 40 and 60 years ago. Ergo the same tunes are played more often.

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https://soundcloud.com/violonc




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lurker
Average Member



United States
187 posts
Joined: Dec, 2011
Posted - 2016/03/17 :  18:32:46  Show profile  Send a private message  Visit lurker's homepage  Reply with quote
What? I have a feeling you're referring to these two studies (probably indirectly through a news article about one of them). The first one says nothing about the number of tracks on rotation. The second one does correlate a genre's complexity with both the number of artists and the popularity of that genre (which still doesn't distinguish individual tracks but it gets closer), but it can't really apply to hardcore since the data set seems to be artist albums only.
Either way, studies on this scale always focus on elements that separate different genres of acoustic music from each other way more than different genres of EDM. The first one uses dynamics as a major focus, while the second one revolves around which instruments are listed on an album's Discogs listing. For the first one, who's going to master EDM at -20 dB? For the second, most EDM doesn't use any physical instruments, so a grand majority of their entries are just going to say "synthesizer" and nothing else. Using these to say anything in-depth about hardcore is ********.
The number of different songs playing on the radio has a lot more to do with how the music industry works than the music itself, anyway.


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Edited by - lurker on 2016/03/17 18:52:11
ViolonC
Average Member



Germany
243 posts
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Posted - 2016/03/18 :  03:16:21  Show profile  Send a private message  Visit ViolonC's homepage  Reply with quote
Please cite me where i said anything about hardcore.

quote:
Originally posted by lurker:
The number of different songs playing on the radio has a lot more to do with how the music industry works than the music itself, anyway.


This on the other hand is true for Hardcore as well.


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lurker
Average Member



United States
187 posts
Joined: Dec, 2011
Posted - 2016/03/18 :  17:24:28  Show profile  Send a private message  Visit lurker's homepage  Reply with quote
Maybe I went off-topic with that second paragraph, but I think I made it pretty clear in the first one that neither study has anything to do with the number of songs being played.



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