Author |
Thread |
|
bulby_g
Advanced Member
    

 United Kingdom
7,205 posts Joined: Apr, 2004
430 hardcore releases
|
Posted - 2008/09/18 : 12:42:04
Read somewhere that you loose data...
True/Rollox?
If true should you only adjust with the gains for each individual sound, synth etc?
__________________________________
www.myspace.com/bulbyg
Alert moderator 
Edited by - bulby_g on 2008/09/18 12:50:31 |
Orbit1
Senior Member
   

 Australia
400 posts Joined: Jul, 2006
|
Posted - 2008/09/19 : 01:27:52
doesnt make a difference.
That belief is a remnant of the analogue age.
__________________________________
http://myspace.com/orbit1dj
Alert moderator
|
bulby_g
Advanced Member
    

 United Kingdom
7,205 posts Joined: Apr, 2004
430 hardcore releases
|
Posted - 2008/09/19 : 10:22:20
quote: Originally posted by Orbit1:
doesnt make a difference.
That belief is a remnant of the analogue age.
Ok, thanks mate. :) Clears that up. Does this include the master fader too then?
__________________________________
www.myspace.com/bulbyg
Alert moderator
|
Ravine
Average Member
  

 Australia
209 posts Joined: Feb, 2006
|
Posted - 2008/09/20 : 06:38:06
Doesn't really matter.
At clubs they always lock the master fader at around half to stop DJs turning it up too much.
And my upfaders are always on max. Gains are where it's at!
Alert moderator
|
Jax
Advanced Member
    

 United Kingdom
2,676 posts Joined: Apr, 2005
|
Posted - 2008/09/20 : 10:40:35
quote: Originally posted by Ravine:
Doesn't really matter.
At clubs they always lock the master fader at around half to stop DJs turning it up too much.
And my upfaders are always on max. Gains are where it's at!
ok lol, you missed the point of the original post too
Alert moderator
|
Ravine
Average Member
  

 Australia
209 posts Joined: Feb, 2006
|
Posted - 2008/09/21 : 05:25:26
quote: Originally posted by Jax:
quote: Originally posted by Ravine:
Doesn't really matter.
At clubs they always lock the master fader at around half to stop DJs turning it up too much.
And my upfaders are always on max. Gains are where it's at!
ok lol, you missed the point of the original post too
Yeah i'm totally lost.
I just want to post so i can be cool.
Alert moderator
|
Jax
Advanced Member
    

 United Kingdom
2,676 posts Joined: Apr, 2005
|
Posted - 2008/09/21 : 13:17:19
quote: Originally posted by Ravine:
quote: Originally posted by Jax:
quote: Originally posted by Ravine:
Doesn't really matter.
At clubs they always lock the master fader at around half to stop DJs turning it up too much.
And my upfaders are always on max. Gains are where it's at!
ok lol, you missed the point of the original post too
Yeah i'm totally lost.
I just want to post so i can be cool.
sounds about right
Alert moderator
|
bulby_g
Advanced Member
    

 United Kingdom
7,205 posts Joined: Apr, 2004
430 hardcore releases
|
Posted - 2008/09/22 : 09:17:47
:p Sorry, talking about production. Should have made that a bit clearer!
__________________________________
www.myspace.com/bulbyg
Alert moderator
|
Deverse
Senior Member
   

 Australia
294 posts Joined: Jul, 2008
|
Posted - 2008/09/22 : 12:33:02
Tbh I don't touch the faders on synths etc...
Just use the channel faders to do everything.
__________________________________
DJ / Producer
www.myspace.com/djdeverse || www.soundcloud.com/djdeverse
Alert moderator
|
bulby_g
Advanced Member
    

 United Kingdom
7,205 posts Joined: Apr, 2004
430 hardcore releases
|
Posted - 2008/09/22 : 14:05:44
quote: Originally posted by Deverse:
Tbh I don't touch the faders on synths etc...
Just use the channel faders to do everything.
It's the channel faders I was talking about. :)
__________________________________
www.myspace.com/bulbyg
Alert moderator
|
Shades
Advanced Member
    

 United Kingdom
1,189 posts Joined: Dec, 2006
|
Posted - 2008/09/22 : 21:15:38
i always use the channel faders & volume control, tbh i never touch the master channel.
only reason for this is i've read to leave the master channel for mastering (for the audio engineer).
you got 2 other ways to set the volume, one on the synth & one on the channel so you shouldn't need to touch the master.
__________________________________
______________
______________
http://soundcloud.com/shades
Alert moderator
|
bulby_g
Advanced Member
    

 United Kingdom
7,205 posts Joined: Apr, 2004
430 hardcore releases
|
Posted - 2008/09/23 : 15:57:01
quote: Originally posted by Shades_of_Grey:
i always use the channel faders & volume control, tbh i never touch the master channel.
only reason for this is i've read to leave the master channel for mastering (for the audio engineer).
you got 2 other ways to set the volume, one on the synth & one on the channel so you shouldn't need to touch the master.
This is all true but.. It would be interesting to know as it is 100% easier to just turn down the master fader if your track is clipping than it is to adjust every other channel or sound...
__________________________________
www.myspace.com/bulbyg
Alert moderator
|
Future_Shock
Advanced Member
    

 Australia
2,483 posts Joined: Apr, 2007
|
Posted - 2008/09/28 : 10:05:48
quote: Originally posted by bulby_g:
quote: Originally posted by Shades_of_Grey:
i always use the channel faders & volume control, tbh i never touch the master channel.
only reason for this is i've read to leave the master channel for mastering (for the audio engineer).
you got 2 other ways to set the volume, one on the synth & one on the channel so you shouldn't need to touch the master.
This is all true but.. It would be interesting to know as it is 100% easier to just turn down the master fader if your track is clipping than it is to adjust every other channel or sound...
There are two reasons why you shouldn't touch the master fader
1. Read up on signal to noise ratio...i could imagine (and this is why i never do it) that lowering the master volume just to be brought back up later would raise the noise floor unnecessarily...
2. I guess its bad practice... you shoudlnt need to do it anyway... i find it hard to believe that after a track or two you still let things get too loud... notice how loud everything is - the kick drum should be your loudest point, and if the track is too loud, lower the volume and take notes.
__________________________________
New Future Shock Hardcore: https://soundcloud.com/futureshockgroup
Alert moderator
|
bLOODY_dAN
Advanced Member
    

 United States
768 posts Joined: Feb, 2004
30 hardcore releases
|
Posted - 2008/09/29 : 21:25:25
^^^Absolutely False.^^^
Faders are your best friend. Push and Pull those babies till the sound is the way you want it. End of story.
Its humorous to me that people are giving you advice when they have no idea. Thats COUNTERPRODUCTIVE PEOPLE!!! If you don't know, DON'T SAY ANYTHING! LMFAO.
__________________________________
S I G N A T U R E . . .
Alert moderator
|
Orbit1
Senior Member
   

 Australia
400 posts Joined: Jul, 2006
|
Posted - 2008/09/30 : 14:48:58
quote: Originally posted by bLOODY_dAN:
^^^Absolutely False.^^^
Faders are your best friend. Push and Pull those babies till the sound is the way you want it. End of story.
Its humorous to me that people are giving you advice when they have no idea. Thats COUNTERPRODUCTIVE PEOPLE!!! If you don't know, DON'T SAY ANYTHING! LMFAO.
Dude what are you on about? Andy's spot on the money. I think you're the one that has no idea.
Except that there's typically need to worry about the SNR within a DAW, but hey... ;)
__________________________________
http://myspace.com/orbit1dj
Alert moderator
|
bulby_g
Advanced Member
    

 United Kingdom
7,205 posts Joined: Apr, 2004
430 hardcore releases
|
Posted - 2008/09/30 : 17:20:23
Hmmm. Think I'll go with Andy and Sam ;p Think I need to start being less lazy when I start a track!
__________________________________
www.myspace.com/bulbyg
Alert moderator
|